![]() ![]() ![]() ![]() In this sense, we are hoping to provide an overview of our processes that focuses on collection care practices and model workflows. The museum’s collection care division – specifically the time-based media conservation team and the collection management department – have been working to preserve these artworks’ continued existence as live events at Tate and beyond.īy exploring the current procedures for acquiring and caring for performance art at Tate, this essay will expand on the challenges these works pose to the museum, our current approaches to their management and conservation, and the possibilities that the continued acquisition of these works can present for collection care practices. Tate began its collection of performance artworks in 2005 with Roman Ondak’s Good Feelings in Good Times 2003, and now holds more than twenty-five performance artworks. ![]()
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